Selected Works

Drift Studies (I–IV)

A sequence of recordings gathered from transitional landscapes—riverbanks, peripheral highways, abandoned shorelines—where sound refuses to stabilize into place. Each piece unfolds as a slow erosion of reference, replacing location with duration and memory with residue.

Green Noise for Disappearing Forests

An additive reconstruction of environmental recordings filtered until natural sound collapses into abstraction. Birds, wind, and insects persist only as spectral hints, questioning whether “nature” survives its own documentation.

Unlicensed Frequencies

A series of short-form works built from intercepted broadcasts, electromagnetic interference, and urban hum. Identity here is procedural: voices are stripped of language, leaving rhythm, timbre, and signal artifacts as the only remaining markers.

Studies on Listening Fatigue

An investigation into overexposure and attenuation. Extended tones derived from field recordings are stretched beyond comfort, exploring how prolonged listening alters perception, attention, and the boundaries of the self.

Cartographies Without Coordinates

Sound maps generated from walks through non-descript European suburbs. GPS data is discarded; orientation emerges only through spectral density and temporal drift. The city is rendered as texture rather than plan.

Residual Voices

Fragments of speech collected from public spaces and processed until semantic content dissolves. What remains is cadence and breath—identity reduced to its acoustic scaffolding.

Weather as Instrument

A long-term experiment using meteorological data to modulate additive synthesis parameters. Wind speed, humidity, and pressure become compositional agents, displacing authorship toward environmental systems.